IMACHINE COMICS

COLD BLOOD

2011-05-19T09:49:00.000-07:00

THE WIND 3

2010-07-02T11:46:00.000-07:00

THE WIND, ISSUE NUMBER 1, ENGLISH VERSION

2010-07-02T11:05:00.000-07:00

JUST "CLICK" ON THE IMAGE TO SEE THE PAGES, WHEN THE PAGES ARE OPEN ON FULLSCREEN, JUST ANOTHER "CLICK" TO ZOOM.
16 PAGES, COVER AND BACKCOVER

Open publication - Free publishing - More tribute comic

THE WIND, ISSUE NUMBER 2, ENGLISH VERSION

2010-07-02T10:46:00.000-07:00

JUST "CLICK" ON THE IMAGE TO SEE THE PAGES, WHEN THE PAGES ARE OPEN ON FULLSCREEN, JUST ANOTHER "CLICK" TO ZOOM.
18 PAGES, COVER AND BACKCOVER + PROMO POSTER

Open publication - Free publishing - More tribute comic

THE WIND SEASON 1

2010-07-02T10:12:00.000-07:00

PORTADA NUMERO 2

2010-07-02T10:11:00.001-07:00

PAGINA 1

2010-07-02T10:10:00.000-07:00

PAGINA 2

2010-07-02T10:09:00.001-07:00

PAGINA 3

2010-07-02T10:06:00.000-07:00

PAGINA 4

2010-07-02T10:05:00.001-07:00

PAGINA 5 Y 6

2010-07-02T10:03:00.000-07:00

PAGINA 7

2010-07-02T10:02:00.000-07:00

PAGINA 8

2010-07-02T10:01:00.000-07:00

PAGINA 9 Y 10

2010-07-02T09:59:00.001-07:00

PAGINA 12

2010-07-02T09:58:00.001-07:00

PAGINA 12

2010-07-02T09:55:00.000-07:00

PAGINA 13

2010-07-02T09:54:00.000-07:00

PAGINA 14

2010-07-02T09:53:00.000-07:00

PAGINA 15

2010-07-02T09:51:00.000-07:00

PAGINA 16

2010-07-02T09:37:00.000-07:00

PAGINA 17

2010-07-02T09:33:00.000-07:00

PAGINA 18

2010-07-02T09:31:00.000-07:00

DROP BY DROP

2010-07-01T22:01:00.000-07:00

EFECTOS Y TEXTURAS DE PHOTOSHOP / PHOTOSHOP EFFECTS AND TEXTURES, THE DIGITAL PAINTING

2010-07-01T21:49:00.000-07:00

Pintar una ilustración sobre papel, previo a dár los efectos en photoshop, resulta con acabados interesantes. El papel proporciona textura espontánea y natural que no se podría lograr fácilmente con el programa, y las pinceladas con pintura a base de agua, benefician al dibujo, se omite el paso de pintar con pinceles de photoshop, en mi caso, no tengo tableta y prefiero evitar los pinceles digitales.
El reto de dárle un acabado "Hibrido" a una ilustración que nace en papel y termina en un monitor, es, que no predomine una de las dos, que se complementen ambas para dar el aspecto de una ilustración sofisticada, no de realismo, sino de técnica.
El numero 2 de "El viento" es mas sangriento, se percibe a Kaléd o al sér que esta ocupando su cuerpo, como un guerrero sanguinario e inhumano. El nombre del número 2, hace constar su violencia, "Sangre en el viento".
Los close-ups son efectivos para dar impacto, el banner del número 1, era una ilustración de cuerpo completo de Kaléd con su armadura. Ahora había que dar más color y fuerza.
El rostro de Kaléd, tenía que tener rastros de una batalla reciente, con restos de lodo, sangre seca y pintura.
Otro reto fué ilustrar "Macro", definiendo poros de la piel y vello facial, que con ayuda de los rasgos físicos de Till Lindemann, redondean al personaje..
El fondo desenfocado resalta los contornos del close-up, una frase extraida de este número, adorna el diseño.

To paint a picture on paper, prior to the effects in photoshop, give an interesting finishes. The paper provides spontaneous and natural texture that could not be achieved easily with the program, and the brush with paint water-based benefit the design, omitted the step of paint brushes with photoshop, in my case, I dont have a "Wacom" and I prefer to avoid digital brushes.
The challenge of giving a "hybrid" finish which born in an illustration on paper and ends on a monitor, is not predominantly one of the two elements, both to complement the look of a sophisticated illustration, not realism, but technique. The Second Chapter of "The Wind" is more bloody, can be perceived Kaled like a bloodthirsty and inhuman warrior . The name of the Second Chapter, recorded their violence, "Blood in the Wind." The close-ups are effective to impact, the banner of the first chapter was an illustration of the full body of Kaled with their armor. Now I had to give him more color and strength.
THE OTHER BANNER Kaled's face, had to have traces of a recent battle, with traces of mud, dried blood and paint. Another challenge was to illustrate with many definition ("Macro Ilustration"), defining pores of the skin and facial hair, with the help of the strong face of Till Lindemann.
The blurred background highlights the contours of the close-up, a sentence extracted from this chapter adorns the design.

STEPS OF THE BANNER, THE MAKING OFF

2010-07-01T21:44:00.000-07:00

Ovisor

2010-07-01T21:42:00.000-07:00

Mechanical hyena / Hiena Mécanica

2010-07-01T21:37:00.000-07:00

THE SADMEN PRESENTS... 12 SECONDS

2010-07-01T21:33:00.000-07:00

THE WIND FIRST SEASON

2010-06-28T15:54:00.001-07:00

PORTADA NUMERO 1

2010-06-28T15:52:00.000-07:00

CONTRAPORTADA NUMERO 1

2010-06-28T15:42:00.000-07:00

1

2010-06-28T15:33:00.000-07:00

2

2010-06-28T15:32:00.001-07:00

3

2010-06-28T15:30:00.000-07:00

4

2010-06-28T15:25:00.000-07:00

5 Y 6

2010-06-28T15:23:00.000-07:00

7

2010-06-28T15:21:00.000-07:00

8

2010-06-28T15:20:00.000-07:00

9

2010-06-28T15:18:00.000-07:00

10

2010-06-28T15:14:00.000-07:00

11

2010-06-28T15:12:00.000-07:00

12

2010-06-28T15:09:00.000-07:00

13

2010-06-28T15:05:00.000-07:00

14

2010-06-28T15:03:00.000-07:00

15 Y 16

2010-06-28T14:36:00.000-07:00